When musicians have this intensity in them, they often get to it sooner and stay put. Ms. Wolfe sounds like shes using it by choice, not disposition; she can use different kinds of darkness as color or tincture.” – New York Times
The reigning dark priestess of goth-scarred art rock. – Rolling Stone
Chelsea Wolfe has announced the release of Hiss Spun, her sixth album, this morning. Following her acclaimed 2015 album Abyss, Hiss Spun is at once dynamic, heavy, and raw. This morning NPR shared the song 16 Psyche, saying, Wolfe has always possessed a talent for dynamic songwriting, particularly concerning the theater of the soul. But the masterful “16 Psyche” is a full-on ride, and one that finds her at her most commanding and climactic yet.”
Recorded by Kurt Ballou (Converge), the album was conceived as an emotional purge, a means of coming to terms with the tumult of the outside world by exploring the complexities of ones inner unrest. Im at odds with myself, she explains. I got tired of trying to disappear. The record became very personal in that way. I wanted to open up more, but also create my own reality. Hiss Spun features prominent guitar contributions by Troy Van Leeuwen (Queens of the Stone Age, Failure) throughout the album, and a guest spot from Aaron Turner (Old Man Gloom, SUMAC) on the song Vex.
Additionally, Wolfe has announced an extensive fall tour of North America, bringing her band to every corner of the country. A full list of dates is below.
Chelsea Wolfe Tour Dates
9/28 – Santa Ana, CA – Constellation Room
9/30 – Los Angeles, CA – The Regent Theater
10/2 – San Diego, CA – Belly Up Tavern
10/3 – Tucson, AZ – 191 Toole
10/4 – Phoenix, AZ – Crescent Ballroom
10/6 – Austin, TX – Paramount Theatre
10/7 – Houston, TX – White Oak Music Hall
10/8 – Dallas, TX – Kessler Theatre
10/10 – Nashville, TN – Exit/In
10/11 – Atlanta, GA – Aisle 5
10/13 – Chapel Hill, NC – Cat’s Cradle
10/14 – Baltimore, MD – Baltimore Soundstage
10/15 – Philadelphia, PA – Theatre of Living Arts
10/17 – New York, NY – Irving Plaza
10/19 – Cambridge, MA – The Sinclair
10/20 – Montreal QC – Le National
10/21 – Toronto, ON – The Opera House
10/22 – Detroit, MI – El Club
10/24 – Chicago, IL – Metro
10/25 – St. Paul, MN – Turf Club
10/27 – Denver, CO – Bluebird Theater
10/28 – Salt Lake City, UT – Urban Lounge
10/30 – Seattle, WA – The Showbox
10/31 – Vancouver, BC – Venue Nightclub
11/1 – Portland, OR – The Wonderland Ballroom
11/3 – Sacramento, CA – Ace Of Spades
11/4 – San Francisco, CA – The Regency Ballroom
* Youth Code will open all shows
What I want is to open up. I want to know what’s inside me. I want everybody to open up. I’m like an imbecile with a can opener in his hand, wondering where to begin—to open up the earth. I know that underneath the mess everything is marvelous. I’m sure of it. – Henry Miller
Digging beneath the mess of the world to find the beauty underneath is perhaps the most consistent theme in Chelsea Wolfes expansive discography—a theme that ties together her ceaseless explorations in unorthodox textures, haunting melodies, and mining the grandeur embedded within ugliness and pain. With her sixth official album Hiss Spun, Wolfe adopts Millers quest to become empowered by embracing the mess of the self, to control the tumult of the soul in hopes of reigning in the chaos of the world around us. I wanted to write some sort of escapist music; songs that were just about being in your body, and getting free, Wolfe says of the album before extrapolating on the broader scope of her new collection of songs. Youre just bombarded with constant bad news, people getting fucked over and killed for shitty reasons or for no reason at all, and it seems like the world has been in tears for months, and then you remember its been fucked for a long time, its been fucked since the beginning. Its overwhelming and I have to write about it.
Hiss Spun was recorded by Kurt Ballou in Salem, Massachusetts at the tail end of winter 2017 against a backdrop of deathly quiet snow-blanketed streets and the hissing radiators of warm interiors. While past albums operated on the intimacy of stripped-down folk music (The Grime and the Glow, Unknown Rooms), or the throbbing pulse of supplemental electronics (Pain Is Beauty, Abyss), Wolfes latest offering wrings its exquisiteness out of a palette of groaning bass, pounding drums, and crunching distortion. Its an album that inadvertently drew part of its aura from the cold white of the New England winter, though the flesh-and-bone of the material was culled from upheavals in Wolfes personal life, and coming to terms with years of vulnerability, anger, self-destruction, and dark family history. Aside from adding low-end heft with gratuitous slabs of fuzz bass, longtime collaborator Ben Chisholm contributed harrowing swaths of sound collages from sources surrounding the artist and her band in recent years—the rumble of street construction at a tour stop in Prague, the howl of a coyote outside Wolfes rural house in California, the scrape of machinery on the floor of a warehouse at a down-and-out friends workplace. Music is rendered out of dissonance—bomb blasts from the Enola Gay, the shriek of primates, the fluttering pages of a Walt Whitman book are manipulated and seamlessly integrated into the feral and forlorn songs of Hiss Spun.
The album opens with the sickening bang of Spun, where a lurching bottom-heavy riff provided by Chisholm and Troy Van Leeuwen (Queens of the Stone Age, Failure) serves as a foundation to a sultry mantra of fever-dream longing and desire. The first third of Hiss Spun—whether its the ominous twang and cataclysmic dynamics of 16 Psyche, the icy keyboard lines, restless pulse and harrowing bellows of Aaron Turner (Old Man Gloom, SUMAC) on Vex, or the patient repetition and devastating choruses of The Culling—all carry the weight of desperation, lost love, and withdrawal. Wolfes introspection and existential dread turns outwards to the crumbling world around us with Particle Flux, an examination of the casualties of war set against an aural sea of static. White noise is a constant thread through Hiss Spun, with Wolfe finding solace in the knowledge that radio static is the sound of the universe expanding outwards from the Big Bang—a reminder that even dissonance has ties to creation. The electronic thump of Offering serves as an ode to the Salton Sea and the encroaching calamities stemming from climate change. The obsession with white noise and global destruction carries over into Static Hum, where the merciless percussive battery of Wolfes former bandmate and current drummer Jess Gowrie helps deliver the dire weight of a sonnet dedicated to a burning planet. By the time the album closes with Scrape, Wolfe has come full circle and turned her examinations back inward, reflecting over her own mortality with arguably the most commanding vocal performance in her entire oeuvre.
The album is cyclical, like me and my moods, Wolfe says of Hiss Spun. Cycles, obsession, spinning, centrifugal force—all with gut feelings as the center of the self. And its an album that Wolfe sees as a kind of exorcism. Im at odds with myself…
I got tired of trying to disappear. The record became very personal in that way.
I wanted to open up more, but also create my own reality. Every Chelsea Wolfe album is cathartic, but never before has both the artist and her audience so desperately needed this kind of emotional purging. Sargent House is proud to release Hiss Spun to the world on September 22nd, 2017.
Chelsea Wolfe – Hiss Spun
(Sargent House – Sept. 22, 2017)
2. 16 Psyche
5. The Culling
6. Particle Flux
7. Twin Fawn
9. Static Hum
11. Two Spirit